Monoprints with drypoint on chine collé

Painting on washi paper gives a softness like velvet. Crumbling the paper, drying and rewetting it leaves marks, and gives it a character similar to fabrics. On this surface I play around with the thin brittle lines and the furry lines of the drypoint needle.

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Monotype/chine collé
2014

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Monotype/chine collé
2014

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Monotype/chine collé
2014

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Monotype/chine collé
2014

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Monotype/chine collé
2014

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Monotype/chine collé
2014

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Monotype/chine collé
2014

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Monotype/chine collé
2013

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Monotype/drypoint
2013

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Monotype/chine collé
2013

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