In front of the vat, with the pulp floating in water, I move into new landscapes, outside my references. It sharpens my attention and my curiosity. As the dialogue with the material take over, I am totally absorbed. When it works it feels as if my soul is floating along with the pulp. The colours are present in my body …
BREATHING IN AND OUT
It has been a while…and a lot of good things have happened. Like March 2018, I spent March 2019 at Awagami Factory, Japan, exploring the world of pulp painting. I will have to come back to that. Too much to include in one post. Back in my studio in Bergen, I picked up the printmaking tread. Full workout with pulp …