I am looking out of the window, and there are my tables, all empty. Last night I cleaned up my outdoors paper studio. Since June I have been working there, almost every day, seven days a week. It has been a flow, and I have been totally focused. We also had a really hot summer, and staying under the roof, …
Questioning the pulp – reaching for the stars
As I did not understand the dialogue between the employees, or being able to talk much with them, I was having a kind of inner dialogue with myself, about clouds on the sky, wondering how it would work out to actually catch one of them, or freeze the blue sky and keep it for rainy days. Takuma Abe is the …
Pulp painting – “Heavens footstep on Earth”
Day two at Awagami Factory, Japan. I brought a bunch of sketches. The idea was to create a body of work, where each work would be able to stand alone, but also be part of a bigger installation consisting of square formats and organic shapes. I started out with the geometric shapes, and within each piece I would work with …
Pulp Paradise – four weeks at Awagami Factory, Japan
After totally 6 weeks in Japan, I have returned home to Norway. I started dreaming of going to Japan, to visit the factory and learn about washi, years ago. Now it feels kind of surreal to look back on four weeks as visiting artist, being allowed in to the pulp paradise of Awagami factory. It was love by first touch! …
Exploring mokulito
Four weeks at Art Print Residence seems like an ocean of time, but suddenly I am half ways. I throw myself into the mokulito adventure – again (see more about mokulito in my last post). After finishing the motive, the plate will have to dry, before it is covered with gum arabic. And then it depends on the humidity. Is it …
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